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Reason for Drummers

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Articles

Basic Drumming With Reason’s NN-19 by Josh Carter

Reason is hot. No synth guy or techno composer should be without it. But what about using Reason for drums? Actually, it’s a perfect companion. In the first article I cover basic drum and Reason setup, and using the NN-19 sampler.

Way-Cool Drumming With Reason’s NN-XT by Josh Carter

This article gets into the super-hot NN-XT sampler. I cover lots of useful things drummers will want to do with the NN-XT, with an emphasis on getting acoustic-like sound and responsiveness from your drums.

Using Roland TD-8 Drums to Control Reason by joshielevy

I have a TD-8, and here’s what I had to do to get it to properly trigger redrum.

1) I had to map the TD-8 notes to the ten notes on redrum
2) For the hihat, I had to use a utility to translate the midi control messages into notes: GMDrums2AD.

So now I can trigger redrum with the TD-8, though I have to say, with the latency and lack of expression on the redrum vs. the TD-8, I rarely use it this way ..honestly, I feel more comfortable creating grooves using a little midi drum pad, or recording the TD-8 into Reaper, then transferring the midi over to reason, which is kind of a hassle, but works.

More info here.

Patches and ReFills

Patches and ReFills for Drummers on Re-wiki

Videos

Using Rock Band Drum Kit in Reason 4 on PC by 80Proof

Here is a tutorial on how to use your Rock Band kit for Xbox 360 or PS3 as a MIDI controller in Reason 4, allowing you to use the Rock band kit as a real electronic drum kit.

Using Rock Band drums in Reason

Using the Harmonix Rock Band drums as a MIDI controller for Reason. See the how too at www.benjefferies.com

Reason Drum Kits in Record by James Bernard

In this week’s episode we’ll learn how to load the Reason Drum Kits combinator patches and reroute each drum mic from the standard 14 channel mixer inside the combinator to Record’s main mixer. Doing this allows you to mix your individual drum mics with all the killer EQ and dynamics processing available in every mix channel in record. There is quite simply no better way to get a pro sounding drum mix than mixing each mic individually on a pro-level console.


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