Dynamics and Compression
Multi Band Compression by James Bernard
James Bernard shows how to create multiband processors (like compression) in Reason and Record. He also shows a song file in Record using the channel dynamics in a mutilband spit for mastering. James explains what parallel compression is and how he created the 8 band parallel compressor patch in the mastering suite preset folder. We also cover how to create multiband processor splits in Record, and show a bit of 8 band parallel compression using the channel compressors in Record.
Sidechain Compression in Record by Propellerhead Software
In this micro tutorial you will see how to set up side chain compression in Record for some nice pumping audio effects. We’ll look at how to do this with the dynamics section in Record’s built in mixer and also how to do it with the MClass compressor.
Articles
Essentials of Dynamics Processors by Ernie Rideout
In this article we’re going to focus on the tools that many musicians consider to be boring: dynamics processors. But when used intelligently and in tandem with careful listening — that’s the most important tool you have, those ears of yours— dynamics processors can turn an ordinary mix into an extraordinary one. And they’re full of tricks that you can use to make amazing sounds you never imagined.
Mixing Basics Part 2: Compression by Reason Tutorials
I’ve found that one of the lesser understood bits of production and mixing in general is the whole issue of compression. What it does, when to use it, when to leave it alone. In this short tutorial I’ll cover the basics of what each of the parameters of the MClass compressor in reason do and give some examples of settings for different types of compression.
Side-chaining and Ducking by Mo Volans
Side-chaining and ducking is certainly a popular topic amongst today’s production fraternity. Mainly used to create pumping effects in electronic music, the process still remains a mystery to a lot of people. Things can become especially confusing when a program has its own tools for the job. Mo Volans gives you a Reason to duck…
Parallel Compression In Reason by Sound On Sound
If you want the impact of heavily compressed drums but don’t want to sacrifice your dynamics, parallel compression is the way to go. This month we explore the best ways to achieve this effect in Reason.
Side-chain Compression In Reason by Sound On Sound
Side-chain compression can be the difference between a flat, lifeless mix and an adrenalised floor-filler. Learn how to capture the French house sound, and add an extra little twist.
How to Set Up Sidechain Routing by Mo Volans
In these tutorials I use a kick drum to trigger the sidechain and use a piano loop for the processed sound but obviously you can apply this technique to any two sounds you wish. I have also included the project files from each DAW so you can load them up yourselves.
Side Chain Compression by Reason Tutorials
If you’ve been paying any attention to music production in the last few years, especially dance production, you know that these concepts play a huge role in the modern sound. Virtually every dance track, and increasingly many rock and pop tracks, feature these techniques – so what are they, and how do you incorporate them into your productions using Reason?
Getting Freaky With Compression by Reason Freaks
Compression is one of the few concept that many younger electronic artist have trouble coming to grips with. This article is a follow-up to Dave’s wonderful article on basic concepts of an audio compressor. In this tutorial I shall touch upon some of the finer points of uses for compressors.
Patches and ReFills
Groove Pump Compression System by Peff
Dynamics processing Combinator patches designed to add a ducking/pumping effect beats and program music. The Groove Pump patches are keyed compression configurations set for 4/4 beats like house, trance, etc. The Daft Pump configurations use a frequency dependent sidechain which can be used with non 4/4 sources.
Dual Band Parallel Drum Bus Compression by Peff
A What the Fruckah? Let’s just say it’s for drums. I made this specifically for some Reason Drum Kits Stereo Mix patches. This is a version of parallel compression followed by another compressor to smooth out drastic dynamics changes. Based on the concept of “Two Stage Drum Compression”
Hexpressor by Peff
This is a six stage multiband compressor with adjustable mid and treble ranges. I rely on this patch for mastering since I can adjust the gain on individual ranges rather than rely on equalization.
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